Music for Short Film, 2021
An improvised drum solo accentuates the nervous tension in this tragicomedy, which was written and directed by Christoph Otto. The film won a competition at the 2022 Eat My Shorts Festival in Hagen.
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Sound Design for Music Video, 2019
The narrative layer of this music video called for some subtle sound design. It was directed by Christoph Otto and commissioned by the Cologne-based band Xul Zolar.
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Music for Theater, 2018
Electronic music emulates, distorts, and transforms liturgical sounds, creating the sonic foundation for this theater piece to be performed in a church. It was directed by Ismene Schell and commissioned by Freie Bühne Stuttgart.
Music for Dance, 2017
Live electronic music is integrated with this multimedia performance, which examines voluntary and involuntary body movement through contemporary dance and video art. It was written and directed by Marquet K. Lee and commissioned by Tanztage Berlin.
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Music/Sound Design for Feature Film, 2016
Dense soundscapes are approached with a musique concrète sensibility while music is limited to on-screen use, end credits and trailer, emphasizing the improvisation-based realism of this feature film. It was written and directed by Christoph Otto, and premiered at the 50th Hof International Film Festival.
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Projection Design for Dance, 2014
Projected motion graphics are treated as animated spotlights in this collaborative exploration of music, dance, and visual arts. The 40-minute piece was developed together with Marquet K. Lee and Arturo Castro for Die Große Kunstausstellung NRW 2014 at Museum Kunstpalast in Düsseldorf.
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Animated Short, 2012
A self-portrait featuring the Huelgas Ensemble’s recording of Qui Habitat à 24 by Josquin des Prez (Harmonia Mundi) and an alarm clock.
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Music for Theater, 2012
Electronic music embodies the increasingly destructive momentum in this youth theater adaptation of Michel Houellebecq’s novel ‘Whatever’. It was directed by Ismene Schell and commissioned by Freie Bühne Stuttgart.
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